Dale said:
I disagree. There were no DAT devices ever offered in the United States
because of the digital copy protection which, for all intents and
purposes, banned DAT in the US.
Not quite correct. Sony tried to offer DAT as a consumer recording
medium in the US in the late 1980s, but the RIAA threatened to sue *any*
manufacturer who released a DAT recorder in the US because, at the time,
DAT recorders *LACKED* *ANY* copy protection. It took the passage of the
Audio Home Recording Act to allow DAT recorders to be sold in the US:
"In 1990, shortly after DAT recorders hit the market in the US, the RIAA
and the National Music Publishers Association moved to block the sale of
the device. DAT recorders made near CD-quality copies of music - and
that, said the RIAA, would damage the ability of artists, songwriters,
and other industry players to profit from pre-recorded CD,
cassette-tape, and vinyl sales.
"With the passage of the act, the RIAA won copyright protection by
requiring that every DAT deck sold in the US be equipped with technology
that recognizes the source material, allowing original files to be
copied multiple times but not permitting those second-generation files
to be duplicated. The act also imposes a 2 percent royalty on the
wholesale price of DAT and MiniDisc recorders and a 3 percent sum on
blank digital tapes and discs. These royalties, says the RIAA,
recognized that both the devices and the medium were being sold to copy
music, and attempt to offset the loss in sales."
(Source: Wired 7.08: The Law of Increasing Returns:
http://www.wired.com/wired/archive/7.08/dl_returns.html)
These royalties, along with the customarily high launch prices typical
of new consumer technologies (remember when DVD players used to cost
more than $1,000 when they were first introduced?), ended up pricing DAT
recorders out of reach for the average consumer, with initial prices
topping $1,200 (eventually dropping to around $500 as production ramped
up). These prices, combined with the increasing availability of
affordable computer-based CD recorders, ended up forcing the format out
of even the high-end audio market in the US (due to low sales) and into
the recording studio, a market that Sony and its DAT licensees never
intended the format to go into.
DAT was a success in high end audio
systems in many other parts of the world.
Emphasis on "was": Sony, the last manufacturer to offer DAT recorders,
ended production on their final model last December (2005) due to slow
sales (less than 100 units per month at the time), effectively making
DAT obsolete. The film and television industry still makes some use of
DAT, particularly since some recorders support SMPTE time codes, but
those are slowly being replaced by hard disk-based digital recorders.