B
Bart van der Wolf
SNIP
OOPS, that's what you get when you don't go to sleep when you should
....
The Photoshop (15-bit +1) read-out was set to 8-bit RGB values.
Using another tool gave me the following 16-bit statistics:
Red: mean=148.556, stddev=70.381, median=148, highest bin=714
Green: mean=130.227, stddev=68.554, median=128, highest bin=694
Blue: mean=206.009, stddev=71.221, median=206, highest bin=802
So I have basically 7 to 7.7 bits out of 16 dark noise, leaving 8.3 to
9 bits DR with a single scan pass, including calibration defects.
I really should also test with multiple scans, e.g. 4x and 16x (if I
have nothing better to do), and I'll also DFS the darkframe itself,
which should result in an image of temporal noise. It is important to
get avery clean Darkframe because the subtraction will also add to the
noise floor, but without calibration defects. Later.
Bart
So I have basically 1-bit out of 16 dark noise.
OOPS, that's what you get when you don't go to sleep when you should
....
The Photoshop (15-bit +1) read-out was set to 8-bit RGB values.
Using another tool gave me the following 16-bit statistics:
Red: mean=148.556, stddev=70.381, median=148, highest bin=714
Green: mean=130.227, stddev=68.554, median=128, highest bin=694
Blue: mean=206.009, stddev=71.221, median=206, highest bin=802
So I have basically 7 to 7.7 bits out of 16 dark noise, leaving 8.3 to
9 bits DR with a single scan pass, including calibration defects.
I really should also test with multiple scans, e.g. 4x and 16x (if I
have nothing better to do), and I'll also DFS the darkframe itself,
which should result in an image of temporal noise. It is important to
get avery clean Darkframe because the subtraction will also add to the
noise floor, but without calibration defects. Later.
Bart