K
Kennedy McEwen
Nope - you are still coming across loud and clear! Perhaps this is justcoolscan.pl said:Hi Kennedy,
now my English will be really not so god, because I have temporary
no access to dictionary
a legacy from my primary school teacher who was Polish! ;-)
Gospel truth. My experiments with CCD cooling has no effect in
stability of high tones (about white point). Only cooling of chips
(which control LED's) succeed.
That confirms what I suspected! ;-)
When I cool left side of plate two
channels are stable and when I cool right side of plate third channel
and IR are stable.
That is why at left side is placed chips, which controls first pair
of channels and at right side rest.
LEDs and LDs have a notoriously unstable output amplitude with
temperature. That is why the analogue gain is controlled by the
exposure time to the LED, rather than attempt to adjust the intensity.
I haven't opened my LS-4000 up yet. I have opened every other Nikon ICooling instalation in 9K - it's no problem, beacause he is bigger
(and have more place inside) with comparison to smaller coolscans.
Additionally, in small format coolscans LED's are packs in black -
box (not openable). I'm not sure if in this box are placed only LED's
or LED's with all electronic control chips.
have owned, usually to clean them, but I now have a pretty good working
procedure to keep the scanner free from dirt and dust accumulation so I
haven't had to resort to cleaning this one yet. No doubt that time will
come eventually and I will have to delve inside. ;-)
Yep, I understand your problem, but it is pretty specialised and notI know that small differences between channels don't make a problem,
because I can correct this via software, but this is problem for my
colorimetric experiments (I specialize in CM).
Additionally is not the same 2 ways:
a) scan original channel luminancy
b) scan modified channel luminancy and correct it via soft
because, when I correct via soft scans, wich has small Dmin value,
software levels corrections only restore global equalizations,
but not restore original contrast in small ranges in high tones (f.e.
luminance between 89 and 90), that will be partially loss.
To correct this I need precision curve tool, which can be set
up in high precision.
typical of the average, or even most specialised users.
I suspect that you have had to develop most of this procedure yourself.
I'm not sure if I good understand your experiments about black
point (I must print your mails and go to home, when I have a
dictionary , but remember, that:
a) when you scanning any material you should totally unfocus lens
to eliminate any structure fluctuancy
I fully agree with you - but in this case I was scanning an opaque
image, so no defocus was necessary. For higher illuminations this would
be an absolute requirement.
Again I agree, but I don't think this is an issue with the tests I did,b) when you analyze scans line to line you should be considerate,
because previous line affecting to next line - this is effect of:
b1) electrical occurrence (CCD)
b2) lack ideal precision in locate each channels (in coolscans
RGBI channels is litle moved - about 0,2-0,5 pixel)
because it was a uniform, perfectly black target.
ps. I'm happy that not only me litle crazy about precision ;-)
Oh lots of us are after precision, but by the sound of things, you are
looking for (and need) a lot more precision and stability than the rest
of us, so you are probably out there on your own.
I am glad you have found this group though, because is sounds like you
might be doing a lot of work that many of us can benefit from.