R
Roger S.
Hi Marjolein and Djon,
Also, Noise Ninja works fine for a variety of subject matter, but it's
up to you to set the best settings for any given subject (leave more
noise in a gritty shot, be careful to preserve detail in a landscape,
etc) I've also used this program to good effect with a Canon compact
digital camera and it works just as well as with scans.
I don't think there are significant noise issues between scanner
software packages (or at least there shouldn't be- shoudn't "noise" be
either from the scanner hardware or the original media?). I have also
not found significant differents in resolution or sharpness between VS
and other sotware, though I only have experience with one scanner.
However, the scanner bakeoff results where a couple of people uploaded
samples using the same scanner with different software bear this out.
As far as judging color goes- Don has pointed out a number of times
that you need to start your editing from a scan which captures as much
good information as possible. Pretty much nobody is scanning without
doing any post-processing, so I don't think you should be judging
scanner programs based on final pictures. Skin tones, sharpness, color
balance, etc are all in the province of Photoshop.
As long as no VS bug is affecting the quality of your scan (at times a
big if), VS can yield quite reliable color. I highly recommend setting
the color balance manually for each negative film type by shooting a
neutral object under 5500K daylight, and using a Wolf Faust IT8 target
for slides. With my current workflow I rarely have to do more than
increase the image contrast and maybe tweak the color balance of my
negative files in Photoshop because the original VS scans are
consistent and essentially what the film saw. Ditto for slides except
instead of setting white and black point, I generally just need to
lighten the shadows while removing scanner noise.
Also, Noise Ninja works fine for a variety of subject matter, but it's
up to you to set the best settings for any given subject (leave more
noise in a gritty shot, be careful to preserve detail in a landscape,
etc) I've also used this program to good effect with a Canon compact
digital camera and it works just as well as with scans.
I don't think there are significant noise issues between scanner
software packages (or at least there shouldn't be- shoudn't "noise" be
either from the scanner hardware or the original media?). I have also
not found significant differents in resolution or sharpness between VS
and other sotware, though I only have experience with one scanner.
However, the scanner bakeoff results where a couple of people uploaded
samples using the same scanner with different software bear this out.
As far as judging color goes- Don has pointed out a number of times
that you need to start your editing from a scan which captures as much
good information as possible. Pretty much nobody is scanning without
doing any post-processing, so I don't think you should be judging
scanner programs based on final pictures. Skin tones, sharpness, color
balance, etc are all in the province of Photoshop.
As long as no VS bug is affecting the quality of your scan (at times a
big if), VS can yield quite reliable color. I highly recommend setting
the color balance manually for each negative film type by shooting a
neutral object under 5500K daylight, and using a Wolf Faust IT8 target
for slides. With my current workflow I rarely have to do more than
increase the image contrast and maybe tweak the color balance of my
negative files in Photoshop because the original VS scans are
consistent and essentially what the film saw. Ditto for slides except
instead of setting white and black point, I generally just need to
lighten the shadows while removing scanner noise.