["Followup-To:" header set to rec.photo.digital.slr-systems.]
Frank Arthur said:
My pictures are too good.
Scratch your lens, put a stack of useless, dirty filters on, blow
dust on your sensor, develop a strong tatter and learn how to use
Photoshop or similar to your disadvantage. Overexpose your images.
Yank out the memory card while it's being accessed. Drop your
camera repeatedly. Use it as a hammer. Get children to smear
your lens with paint. Oversharpen everything. Use such a high
JPEG compression that everything looks likecolour-reduced cubism.
Misfocus everything. Keep the lens cap on the lens. Always center
your subjects. Actively seek busy, annoying backgrounds. Use a
lens with a really poor bokeh. Shoot portraits with your fisheye
touching the subject's nose.
Enough solutions to your "problem"?
I've got a digital camera that can shoot in rapid
sequence.
I'm using VR zoom lenses of high quality and autofocus instantly. I can now
compose
in the viewfinder, zoom to fill the frame and rip off 2,3, 10 images in
seconds. Hard
not to get a good well composed, well exposed, well framed image.
You also have a newsreader that does unspeakable things to
the formatting of your post. I have reformatted the rest to
spare myself from eye cancer.
Your standards are *way* too low.
The idiot's law of duck hunting ("Just throw enough lead in the
air and eventually, you will hit _something_!") is your approach
to photography. You should learn to go for the deceicive moment,
not for machinegunning all the unimportant moments.
But I guess, you never will be able to understand that. So,
for you, here's a deceicive moment:
http://www.visindavefur.hi.is/myndir/kalda_stridid2_030304.jpg
Machinegunning wouldn't have worked (this scene was also recorded
on film (as in "moving pictures") --- which has about ZERO impact.
I doubt you can shoot more images/second than a movie camera.
That's the dilemma. I finally got the "ultimate" technique down pat
thanks to the new technologies.
You delude yourself. You are merely getting some marginally
acceptabe shots by accident.
I can't print that well cropped image because the proportions of the
Digital image is 2:3 but I can't readily print it without being forced
to crop and lose part of the image because Photo Paper is proportioned
4:5.
Oh, poooor you. My heart is bleeding. I cry when I think of
you. I fear I won't be able to sleep for a month, thinking
of your insurmountable problems.
NOT.
Learn to use your printing gear, or go have your shots printed
by a professional. Even better: have them use real photographic
paper and wet development. It ain't that hard. Learn to buy
the correct size of "Photo Paper", if you print yourself, or
learn to operate a paper cutting machine.
Until recently because of the Camera/Lens limitations we tended to
shoot and include much more of the subject knowing we would crop
later.
Crop because of lens/camera limitations? Which world do you
live in? Have you my permission to talk for me? Or from anyone
else to talk for them?
Have you ever heard of a thing called 'slides' and using a
'projector' to show them? Now, show me where people cropped there!
We had to because we simply couldn't compose accurately enough
fast enough.
Who is this we you are spluttering about? You just never
learned how to compose properly, that's all.
Now that you can achieve in camera cropping with frequent
success we are able to make use of all the pixels we see leading to
a better sharper overall image.
What im camera cropping are you talking about?
Now we need to make use of Photo
Paper to match our image media which cries out for a 8 x 12 Photo
Paper size. Epson or HP do not produce Photo Paper with 2:3 ratio yet
(except for their 4x6 size). This will happen when customers ask for
it.
Believe it or not there are anti-8 x 12 Photo Paper posters out there too.
Say, what have you been smoking, and have you anything left over?
I really would like to know what weed or chemical can produce
that kind of loss of reality!
Or perhaps, you are just a run-of-the-mill troll.
-Wolfgang