R
Robert Feinman
In a short product description in the Circuits section of the Thursday
New York Times an Epson Product manager says that the existing
2200 has light shades that to many photographers produce better
reproduction of subtle colors. The R1800 has blue and red
instead which produce pictures which are technically less accurate,
but more agreeable to most people.
Either the R1800 is a step backward in color fidelity or Epson
is just trying to unload the older model.
Color gamut tests would be interesting...
New York Times an Epson Product manager says that the existing
2200 has light shades that to many photographers produce better
reproduction of subtle colors. The R1800 has blue and red
instead which produce pictures which are technically less accurate,
but more agreeable to most people.
Either the R1800 is a step backward in color fidelity or Epson
is just trying to unload the older model.
Color gamut tests would be interesting...