J
Jeff
I just got my new epson 2200 and have a couple of questions:
I like the rolls of Premium luster, but do the prints ever lose their
curl?
Anyone with any tips on how to get these prints to uncurl? I thought
I might save the empty cardboard roll and reverse-roll them on the
empty and rubber band them for a few days...does this work?
Do you generally hot mount these archival papers to boards or just
sandwich them for matting? It seemd like a large print wouldn't stay
flat without bonding to a back matboard. What mounting, method is
consistent with preserving archival life?
Next Q: I like the effect of matte b&w and sepia prints and have
bought some matte papers. The Epson documentation provides no info on
what to do with the Photoblack cartridge when you swap it out and use
the matte black one. At $10/each they are hardly disposable. How does
one store them and reuse them??
Final Q- I had a picture from which I bled all the color from with the
exception of one area where I had a splash of color (so it was
essentially a B&W, altho in RBG mode). I was printing it on premium
luster (roll), and was dismayed to see several (5-7) black ink
splotches (maybe 2x times the size of a (.) ) in the margin and edge
of the print (there were some on the left and right sides of the
print). It was a large print of 8x11 or so. Has anyone experienced
this?
I suspect that the great demand the large b&W print made on the
photoblack cartridge may have caused the cartridge to get sloppy and
drool. Not exactly what you want to see on the first b&W print out of
a brand new $600 printer. My second theory was that possibly the curl
in the paper from the leading edge hitting the paper tray may have
pushed the paper up, but I think that the myriad of rollers do keep
the paper very flat under the printhead sweep. Help?
Thanks, Jeff
I like the rolls of Premium luster, but do the prints ever lose their
curl?
Anyone with any tips on how to get these prints to uncurl? I thought
I might save the empty cardboard roll and reverse-roll them on the
empty and rubber band them for a few days...does this work?
Do you generally hot mount these archival papers to boards or just
sandwich them for matting? It seemd like a large print wouldn't stay
flat without bonding to a back matboard. What mounting, method is
consistent with preserving archival life?
Next Q: I like the effect of matte b&w and sepia prints and have
bought some matte papers. The Epson documentation provides no info on
what to do with the Photoblack cartridge when you swap it out and use
the matte black one. At $10/each they are hardly disposable. How does
one store them and reuse them??
Final Q- I had a picture from which I bled all the color from with the
exception of one area where I had a splash of color (so it was
essentially a B&W, altho in RBG mode). I was printing it on premium
luster (roll), and was dismayed to see several (5-7) black ink
splotches (maybe 2x times the size of a (.) ) in the margin and edge
of the print (there were some on the left and right sides of the
print). It was a large print of 8x11 or so. Has anyone experienced
this?
I suspect that the great demand the large b&W print made on the
photoblack cartridge may have caused the cartridge to get sloppy and
drool. Not exactly what you want to see on the first b&W print out of
a brand new $600 printer. My second theory was that possibly the curl
in the paper from the leading edge hitting the paper tray may have
pushed the paper up, but I think that the myriad of rollers do keep
the paper very flat under the printhead sweep. Help?
Thanks, Jeff