L
Leonard Evens
I got a Minolta SD IV to scan my old 35 mm negatives, most of which are
black/white. I've begun to do some of them. I don't have any problem
with tonal balance and the resolution is adequate for my purposes. But
I've noticed a couple of things.
First I have an awful time getting some of the film strips in the holder
because of film curl. I find it next to impossible to get them in with
the base side up, and I can just manage with the emulsion side up.
Suprisingly, it appears that the focus is a bit better with the emulsion
side up. Does anyone have any pointers to help with this?
Second, I've noticed a lightening effect towards the edges near the
sprocket holes. The same thing happens if I scan the same negatives in
my Epson 3200, so I don't think it has anything to do with the scanner.
It may just be the result of overdevelopment because of increased
agitation near the sprocket holes, but I never noticed it when I printed
these or similar negatives in my darkroom. On the other hand, it might
have something to do with the film curl. I can deal with this using the
gradient tool in my photoeditor, but I'm still perplexed about the
cause. Any thoughts about this would be appreciated.
black/white. I've begun to do some of them. I don't have any problem
with tonal balance and the resolution is adequate for my purposes. But
I've noticed a couple of things.
First I have an awful time getting some of the film strips in the holder
because of film curl. I find it next to impossible to get them in with
the base side up, and I can just manage with the emulsion side up.
Suprisingly, it appears that the focus is a bit better with the emulsion
side up. Does anyone have any pointers to help with this?
Second, I've noticed a lightening effect towards the edges near the
sprocket holes. The same thing happens if I scan the same negatives in
my Epson 3200, so I don't think it has anything to do with the scanner.
It may just be the result of overdevelopment because of increased
agitation near the sprocket holes, but I never noticed it when I printed
these or similar negatives in my darkroom. On the other hand, it might
have something to do with the film curl. I can deal with this using the
gradient tool in my photoeditor, but I'm still perplexed about the
cause. Any thoughts about this would be appreciated.